Only Wind

when it blows, there is only wind;
when it rains, there is only rain;

Lao Tse, Tao Te Ching .

Before I moved abroad, I became interested in books and trip diaries written by authors far from home. My intentions were to carry with me references that could help me in my new country of destination (unknown back then) and at the same time to give me some bravery for my adventure.
However, in spite of my purpose and maybe as a reflection of my insecurities, the anecdotes I remember the most were those that cast shadows about the integration process; one of my favorites at that time was Jack Kerouac's trip to Paris in the summer of 1965, where after spending only a few days traveling around with the intention of rebuilding the history of his last name he left saying: «Paris rejected me».

As I didn't want to be too affected by my doubts. I persuaded myself that these stories were just peculiarities of a specific city or person, and probably the mistake in those situations was the length of the visit; too short to make bonds. But after a fortuitous arrival to Hong Kong in the summer of 2014, I felt first hand that the feeling of belonging to a new place could take a long time. I wandered in a scenery unable to synchronize with it for years, struggling with languages that I never mastered, trying to build my own space with old materials that didn't adapt to the new host land.

Once my fears became real and after several years living in Hong Kong, I took the genesis of this project as my personal chance to set a different relationship with my environment. A last opportunity to leave behind the silence around me. Accepting, without shyness, my poor English and my absolute ignorance of Cantonese as my main tools to guide me in the city, my new identity.

In this way, the photography act turned progressively into a social space where I could identify with others. The key to understanding different forms of exile and observing their consequences. Confirming the power of language to unite/oppose people and its ability to place us and tell us who we are.

Kowloon, Hong Kong
2017 – 2022